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A Madrid residence designed around the idea of herringbone: the stone parquet that runs through every room as a unifying thread, and the spatial composition that constructs sequences rather than isolated rooms.
Mohd oversees the project in its entirety, from the definition of the spaces to the selection and installation of every element: an integrated design approach in which interior architecture, material choices, and technical coordination become part of a single, cohesive direction.
The entrance immediately establishes the project’s language: neutral surfaces, integrated niches, full-height doors, and no autonomous decorative elements.
The herringbone stone flooring is not merely a finish, but a spatial grammar extending uninterrupted through the living, dining, and sleeping areas, binding together environments with distinctly different characters.
Materiality plays a central role in defining the atmosphere of the residence. Natural stone, aged brass, matte lacquered surfaces, smoked oak, textured wall coverings, and soft textiles create a layered yet coherent palette, where each finish contributes to a sense of depth and continuity. From the mineral intensity of Pietra d’Avola and Rosso Levanto marble to the warmer presence of wood and metal, materials are used not as decorative accents, but as architectural elements that structure the perception of space.
The living area is shaped through a layering of textures: bouclé, long-pile fabrics, stone, glass, and wood. The palette remains within a warm, muted register, animated by material accents such as the aged brass fireplace portal and the sculptural base of the entrance table, both introducing depth without disrupting the chromatic balance.
In the first proposal for this evolving project, a multi-level sculptural chandelier imagined a possible visual focal point for the space, reinforcing its scenographic dimension.
In the dining area, the burnished brass fireplace becomes an architectural element rather than a decorative one: it defines one side of the room and establishes the visual hierarchy of the entire setting.
Table, seating, and the round rug are arranged around this axis with almost compositional precision.
The master bedroom is shaped through subtraction: natural-fiber wall paneling, floating bookshelves, and grazing light.
No technical element remains visible. Architecture dissolves into atmosphere.
The bathrooms represent the project’s strongest identity statement: four spaces, four autonomous material interpretations. The master bathroom features Pietra d’Avola laid in a herringbone pattern, paired with a Silk Georgette slab wall and a freestanding bathtub conceived as an isolated sculptural volume.
The remaining bathrooms explore different registers, ranging from mineral white to brick red, from three-dimensional textures to CNC-carved geometric stone patterns, each time constructing a distinct perceptual identity while remaining within the same architectural language.
The kitchen concludes the project with the same coherence: a monolithic island with a Rosso Levanto marble countertop, matte pewter finishes, smoked oak drawers, and integrated, invisible technical systems. A functional space treated with the same care reserved for the home’s representative areas.
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