{"id":129898,"date":"2026-09-09T10:00:00","date_gmt":"2026-09-09T08:00:00","guid":{"rendered":"https:\/\/www.mohd.it\/?p=129898"},"modified":"2026-09-09T10:00:09","modified_gmt":"2026-09-09T08:00:09","slug":"kdln-et-la-choregraphie-de-la-lumiere","status":"publish","type":"post","link":"https:\/\/www.mohd.it\/fr\/magazine\/kdln-et-la-choregraphie-de-la-lumiere\/","title":{"rendered":"KDLN et la chor\u00e9graphie de la lumi\u00e8re"},"content":{"rendered":"\n

La lumi\u00e8re prend position<\/strong><\/p>\n\n\n\n

Dans les espaces hospitality, la lumi\u00e8re ne se contente pas de cr\u00e9er une atmosph\u00e8re : elle marque l’entr\u00e9e d’un hall, rassemble autour d’un comptoir de bar, accompagne le parcours vers un espace lounge, introduit des respirations entre deux salles.<\/p>\n\n\n\n

C’est une approche que KDLN<\/a><\/strong> cultive depuis trente ans. N\u00e9e \u00e0 Milan en 1996, la marque con\u00e7oit le luminaire comme un \u00e9l\u00e9ment en dialogue avec l’architecture et l’interior design, entre recherche formelle, qualit\u00e9 des mati\u00e8res et performance lumineuse.<\/p>\n\n\n

\n
\n
\n
\n \n
\n KDLN<\/span> Giass Plafonnier<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n \t

PH: Christoph Sch\u00f6ch<\/p>\n <\/div>\n

\n
\n \n
\n KDLN<\/span> Poise Lampe de Table<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n \t

PH: Tatyana Nikitina<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Plus qu’une pr\u00e9sence ajout\u00e9e \u00e0 l’espace, la lumi\u00e8re fait ainsi partie de la composition : elle peut s’accorder aux bois, aux pierres et aux tissus, cr\u00e9er un contraste avec des surfaces textur\u00e9es, ou encore modifier le rythme et la perception par l’orientation, l’\u00e9chelle et la r\u00e9p\u00e9tition.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Kate 43 Suspension, du geste \u00e0 la s\u00e9quence<\/strong><\/p>\n\n\n\n

Cette libert\u00e9 de composition trouve une expression aboutie dans Kate 43<\/strong> Suspension, dessin\u00e9e par Francesca Smiraglia<\/a><\/strong>. Cette nouvelle version compacte ram\u00e8ne le langage de la famille Kate \u00e0 43 centim\u00e8tres, pour une pr\u00e9sence plus l\u00e9g\u00e8re.<\/p>\n\n\n\n

\"KDLN<\/figure>\n\n\n\n

Un anneau gliss\u00e9 sur le c\u00e2ble tendu lib\u00e8re le diffuseur inclin\u00e9, orientable dans diff\u00e9rentes directions. Lumi\u00e8re directe et diffuse cohabitent dans un m\u00eame geste, tandis que le luminaire peut s’utiliser seul ou en composition.<\/p>\n\n\n\n

Un \u00e9l\u00e9ment isol\u00e9 peut concentrer la lumi\u00e8re au-dessus d’une table ; une s\u00e9quence peut rythmer un comptoir ou un coin convivial ; plusieurs suspensions aux inclinaisons diff\u00e9rentes peuvent composer un jeu plus libre et sc\u00e9nographique.<\/p>\n\n\n

\n
\n
\n
\n \n <\/div>\n \t

PH: Lorenzo Pennati<\/p>\n <\/div>\n

\n
\n \n
\n KDLN<\/span> Kate 43 Lampe \u00e0 Suspension<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Par rapport \u00e0 la Kate Suspension originale, plus ample et sculpturale, Kate 43 d\u00e9place ainsi l’attention du volume vers la relation entre plusieurs \u00e9l\u00e9ments : de l’objet \u00e0 la composition.<\/p>\n\n\n\n

La couleur participe elle aussi au projet. Le diffuseur opalin rencontre une structure en aluminium propos\u00e9e en blanc, en feuille d’or ou dans des teintes personnalis\u00e9es sur demande, capable de se fondre dans la palette d’un int\u00e9rieur ou, au contraire, de s’y imposer comme un accent.<\/p>\n\n\n\n

Cette libert\u00e9 de geste s’appuie sur des performances pr\u00e9cises : Kate 43 est dimmable, disponible en 2700 K et 3000 K, avec un indice de rendu des couleurs sup\u00e9rieur \u00e0 90 \u2014 une caract\u00e9ristique particuli\u00e8rement importante dans les espaces o\u00f9 mati\u00e8res et couleurs participent pleinement \u00e0 la perception du lieu.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Un vocabulaire de formes et d’atmosph\u00e8res<\/strong><\/p>\n\n\n\n

Cette m\u00eame logique se retrouve, sous des formes diff\u00e9rentes, dans les autres collections KDLN \u2014 du volume le plus enveloppant au signe le plus \u00e9pur\u00e9 sur un mur.<\/p>\n\n\n\n

Des volumes tout en douceur en verre opalin souffl\u00e9 : c’est la signature de Kushi<\/strong> Suspension, d’Alberto Saggia et Valerio Sommella<\/a><\/strong>, pens\u00e9e pour cr\u00e9er des atmosph\u00e8res intimes et conviviales, au-dessus d’une table de restaurant, par exemple.<\/p>\n\n\n\n

\"KDLN<\/figure>\n\n\n
\n
\n
\n
\n \n <\/div>\n <\/div>\n
\n
\n \n
\n KDLN<\/span> Kushi 16 Lampe \u00e0 Suspension<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Les m\u00eames designers signent aussi Nami<\/strong>, qui \u00e9tire le geste dans l’espace : un diffuseur en verre textur\u00e9 qui accompagne tables, \u00eelots et surfaces lin\u00e9aires \u2014 une banque d’accueil, par exemple.<\/p>\n\n\n\n

Sur le mur, enfin, le projet trouve une nouvelle d\u00e9clinaison avec Pastilla<\/strong> de Patricia Urquiola<\/a><\/strong> : verre press\u00e9 d\u00e9poli \u00e0 l’acide et m\u00e9tal composent un petit volume lumineux capable de rythmer couloirs, passages et espaces plus intimes, comme un couloir d’h\u00f4tel ou une entr\u00e9e priv\u00e9e.<\/p>\n\n\n

\n
\n
\n
\n \n
\n KDLN<\/span> Nami Lampe \u00e0 Suspension<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n
\n
\n \n
\n KDLN<\/span> Pastilla Applique<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Dans le contract contemporain, l’identit\u00e9 d’un int\u00e9rieur na\u00eet souvent de l’\u00e9quilibre entre mati\u00e8re, couleur et lumi\u00e8re. Plut\u00f4t que de reproduire le m\u00eame \u00e9clairage d’un espace \u00e0 l’autre, il s’agit de construire une continuit\u00e9 \u00e0 travers des gestes diff\u00e9rents : des volumes qui rassemblent, des lignes qui accompagnent, des surfaces qui se multiplient et transforment la lumi\u00e8re en mouvement.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans les int\u00e9rieurs pens\u00e9s pour l’hospitality, la lumi\u00e8re KDLN devient rythme, orientation et relation. Kate 43 Suspension en incarne la forme la plus dynamique.<\/p>\n","protected":false},"author":18,"featured_media":129847,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[476],"tags":[],"class_list":["post-129898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inspire-me-fr"],"yoast_head":"\nKDLN Contract & Hospitality : la lumi\u00e8re devient geste dans l'espace - Mohd<\/title>\n<meta name=\"description\" content=\"KDLN fa\u00e7onne la lumi\u00e8re des espaces hospitality avec Kate 43 Suspension : rythme, mati\u00e8re et libert\u00e9 de composition pour le contract.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mohd.it\/fr\/magazine\/kdln-et-la-choregraphie-de-la-lumiere\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KDLN Contract & Hospitality : la lumi\u00e8re devient geste dans l'espace - 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