{"id":130326,"date":"2026-09-11T10:00:00","date_gmt":"2026-09-11T08:00:00","guid":{"rendered":"https:\/\/www.mohd.it\/?p=130326"},"modified":"2026-09-11T10:00:11","modified_gmt":"2026-09-11T08:00:11","slug":"concevoir-la-lumiere-dans-lhospitality-dcw-editions-et-la-poetique-de-lespace","status":"publish","type":"post","link":"https:\/\/www.mohd.it\/fr\/magazine\/concevoir-la-lumiere-dans-lhospitality-dcw-editions-et-la-poetique-de-lespace\/","title":{"rendered":"Concevoir la lumi\u00e8re dans l\u2019hospitality : DCW \u00e9ditions et la po\u00e9tique de l\u2019espace"},"content":{"rendered":"\n

La perception d\u2019un lieu d\u2019accueil se joue en une fraction de seconde : ce moment pr\u00e9cis o\u00f9, une fois le seuil franchi, le tumulte d\u2019une vie contemporaine souvent fr\u00e9n\u00e9tique et incessante c\u00e8de la place \u00e0 une sensation de mesure et de refuge. Plus encore que le mobilier, c\u2019est la lumi\u00e8re<\/strong> qui accompagne cette transition. Concevoir pour l\u2019univers de l\u2019hospitality<\/strong> ne consiste pas \u00e0 saturer un plan ni \u00e0 rechercher un \u00e9l\u00e9ment vedette, mais \u00e0 orchestrer un v\u00e9ritable r\u00e9pertoire de gestes intentionnels dont l\u2019association donne naissance \u00e0 l\u2019atmosph\u00e8re singuli\u00e8re d\u2019un lieu pens\u00e9 pour accueillir.<\/p>\n\n\n\n

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C\u2019est dans cette syntaxe que les cr\u00e9ations de DCW \u00e9ditions<\/a><\/strong> trouvent toute leur coh\u00e9rence. Huit familles, huit caract\u00e8res distincts \u2013 entre r\u00e9\u00e9ditions historiques et projets contemporains \u2013 qui ne partagent pas un langage formel unique, mais une m\u00eame attitude : r\u00e9pondre \u00e0 une fonction pr\u00e9cise avec un design capable d\u2019entrer discr\u00e8tement en dialogue avec l\u2019architecture environnante.<\/p>\n\n\n\n

\"DCW<\/figure>\n\n\n\n

Tout commence \u00e0 l\u2019\u00e9chelle du d\u00e9tail, dans la relation intime entre la lumi\u00e8re et l\u2019individu. Lampe Gras<\/strong> en est l\u2019une des expressions les plus embl\u00e9matiques. Con\u00e7ue en 1921<\/strong> par Bernard-Albin Gras<\/a><\/strong>, sa m\u00e9canique d\u2019une puret\u00e9 remarquable, d\u00e9pourvue de vis et de soudures, s\u00e9duisit jusqu\u2019\u00e0 Le Corbusier, qui l\u2019int\u00e9gra \u00e0 son atelier comme \u00e0 ses projets. Transpos\u00e9e dans l\u2019univers contract, elle conserve sa vocation utilitaire : sur le bureau d\u2019une suite ou au sol pr\u00e8s d\u2019un fauteuil, son bras articul\u00e9 r\u00e9pond directement au geste, offrant une lumi\u00e8re fonctionnelle sans rien perdre du charme du fonctionnalisme le plus pur.<\/p>\n\n\n

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\n DCW \u00e9ditions<\/span> Collection Lampe Gras<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Cette rigueur trouve une \u00e9volution id\u00e9ale dans Biny<\/strong>, n\u00e9e du g\u00e9nie de Jacques Biny<\/a><\/strong> dans les ann\u00e9es 1950<\/strong>. Loin de chercher \u00e0 imposer sa pr\u00e9sence, le Biny Spot<\/strong> se pr\u00e9sente comme un instrument optique d\u2019une grande pr\u00e9cision. Un volume essentiel mont\u00e9 sur une rotule, pens\u00e9 dans un seul but : diriger le faisceau exactement l\u00e0 o\u00f9 il est n\u00e9cessaire, sans dispersion ni \u00e9blouissement. Plac\u00e9 comme liseuse de part et d\u2019autre d\u2019un lit d\u2019h\u00f4tel, son intention est limpide : permettre de se concentrer sur une page en pr\u00e9servant l\u2019autre moiti\u00e9 de la chambre, avant de retrouver sa discr\u00e9tion chromatique et formelle dans la composition murale.<\/p>\n\n\n

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\n DCW \u00e9ditions<\/span> Biny Spot avec Stick – Applique murale<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Si Gras et Biny r\u00e9pondent d\u2019abord \u00e0 une logique fonctionnelle, Mantis<\/strong> y ajoute une dimension sculpturale. Dessin\u00e9e en 1951<\/strong> par Bernard Schottlander<\/a><\/strong>, sculpteur fascin\u00e9 par les mobiles d\u2019Alexander Calder, cette applique est un exercice d\u2019\u00e9quilibre. Sa tige effil\u00e9e et son r\u00e9flecteur asym\u00e9trique en aluminium semblent d\u00e9fier la gravit\u00e9. Dans un coin lecture ou un lobby, Mantis ne se contente pas d\u2019\u00e9clairer : elle semble flotter, inscrivant dans l\u2019espace un contrepoint visuel d\u2019une remarquable l\u00e9g\u00e8ret\u00e9.<\/p>\n\n\n

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\n DCW \u00e9ditions<\/span> Mantis BS5 Applique murale<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

\u00c0 l\u2019\u00e9chelle de l\u2019architecture, la lumi\u00e8re devient capable de mesurer les volumes et d\u2019en r\u00e9v\u00e9ler la mat\u00e9rialit\u00e9. In The Tube<\/strong>, imagin\u00e9e par l\u2019architecte Dominique Perrault<\/a><\/strong> et la designer Ga\u00eblle Lauriot-Pr\u00e9vost<\/a><\/strong>, adopte un vocabulaire presque industriel. <\/p>\n\n\n\n

\"DCW<\/figure>\n\n\n\n

Des cylindres en verre borosilicat\u00e9 renfermant des mailles m\u00e9talliques, \u00e0 installer au mur ou au plafond. Plut\u00f4t que de diffuser une lumi\u00e8re neutre, ils scandent un rythme architectural dans les couloirs et les zones de passage, tandis qu\u2019un doux halo vient temp\u00e9rer la rigueur de leur dessin.<\/p>\n\n\n

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\n DCW \u00e9ditions<\/span> Collection In The Tube<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n
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Toujours sur le mur, Rosalie<\/strong> de Julie Fuillet & Emeric Thi\u00e9not<\/a><\/strong> travaille au contraire avec les plis et les ombres. R\u00e9alis\u00e9e en aluminium anodis\u00e9, sa silhouette \u00e9voque un d\u00e9tail de couture. La lumi\u00e8re se glisse entre ses ondulations et projette de doux c\u00f4nes lumineux vers le haut et vers le bas. Plus qu\u2019un luminaire, elle devient un relief de mati\u00e8re qui redonne de la profondeur aux surfaces planes, transformant les parois verticales en toiles sur lesquelles composer avec l\u2019ombre.<\/p>\n\n\n\n

C\u2019est toutefois au centre de la pi\u00e8ce, ou suspendue au-dessus des tables d\u2019un restaurant, que la lumi\u00e8re devient pure atmosph\u00e8re. \u00c9galement sign\u00e9e Perrault et Lauriot-Pr\u00e9vost, In The Sun<\/strong> a \u00e9t\u00e9 con\u00e7ue comme un hommage au Roi-Soleil \u00e0 l\u2019occasion de la restauration du Pavillon Dufour au ch\u00e2teau de Versailles. Sa maille m\u00e9tallique pliss\u00e9e filtre la source lumineuse et la d\u00e9compose en une multitude de reflets dor\u00e9s ou argent\u00e9s. Au plafond comme dans sa version \u00e0 poser, sa lumi\u00e8re ne dessine pas les contours avec nettet\u00e9 : elle r\u00e9chauffe l\u2019environnement et cr\u00e9e autour de ceux qui s\u2019y installent une bulle d\u2019intimit\u00e9.<\/p>\n\n\n

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\n DCW \u00e9ditions<\/span> Rosalie Applique<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n
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\n DCW \u00e9ditions<\/span> In The Sun 220 Lampe de Table<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Une po\u00e9sie visuelle que partage Here Comes the Sun<\/strong>, dessin\u00e9e par Bertrand Balas<\/a><\/strong> en 1970<\/strong>. Inspir\u00e9e des couchers de soleil sur la Garonne \u00e0 Toulouse, la lampe prend la forme d\u2019une sph\u00e8re comme suspendue entre deux moiti\u00e9s. Lorsqu\u2019elle s\u2019allume, la lumi\u00e8re glisse \u00e0 l\u2019int\u00e9rieur de sa coque blanche ou cuivr\u00e9e et transforme la suspension en un corps incandescent. Dispos\u00e9e en grappes ou en alignements rigoureux dans les grands volumes d\u2019un hall, elle permet de passer de l\u2019accent lumineux isol\u00e9 \u00e0 une v\u00e9ritable mise en sc\u00e8ne, sans jamais perdre la douceur de son \u00e9mission.<\/p>\n\n\n\n

Enfin, Tobo<\/strong> vient relier les diff\u00e9rentes expressions de ce vocabulaire lumineux. Un cylindre de plafond r\u00e9duit \u00e0 l\u2019essentiel, presque un point d\u2019ancrage visuel. C\u2019est l\u2019\u00e9l\u00e9ment le plus silencieux du r\u00e9pertoire : il signale un seuil, rythme une circulation ou apporte la lumi\u00e8re z\u00e9nithale n\u00e9cessaire sans jamais interf\u00e9rer avec le projet d\u2019int\u00e9rieur.<\/p>\n\n\n

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\n DCW \u00e9ditions<\/span> Here Comes The Sun Lampe \u00e0 suspension \u00d8 35<\/span>\n <\/div>\n
\n Acheter<\/a>\n \t\t <\/div>\n <\/div>\n <\/div>\n
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\n DCW \u00e9ditions<\/span> Tobo C65 – Plafonnier<\/span>\n
\n Acquista<\/a>\n \t\t\t \t \t\t\t <\/div>\n <\/div>\n <\/div>\n <\/span>\n \n <\/span>\n
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\n DCW \u00e9ditions<\/span> Tobo C85 Diag – Plafonnier<\/span>\n
\n Acquista<\/a>\n \t\t\t \t \t\t\t <\/div>\n <\/div>\n <\/div>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Un bras qui se replie sur un livre ouvert, une sph\u00e8re qui s\u2019illumine au-dessus d\u2019une table dress\u00e9e, un profil discret qui souligne un passage. Aucun de ces \u00e9l\u00e9ments ne suffit, \u00e0 lui seul, \u00e0 raconter un lieu. Mais c\u2019est pr\u00e9cis\u00e9ment dans cette alternance ma\u00eetris\u00e9e d\u2019\u00e9chelles, d\u2019usages et d\u2019intensit\u00e9s que se r\u00e9v\u00e8le l\u2019hospitality selon DCW \u00e9ditions : une lumi\u00e8re pens\u00e9e pour chaque geste, port\u00e9e par des objets justes, pr\u00e9sents sans jamais s\u2019imposer.<\/p>\n","protected":false},"excerpt":{"rendered":"

Derri\u00e8re le design d\u2019une applique ou d\u2019une lampe \u00e0 poser se dessine une m\u00eame conception de la lumi\u00e8re qui, dans les espaces contract et hospitality, change de fonction sans jamais perdre sa voix. Une exploration de l\u2019univers DCW \u00e9ditions \u00e0 travers chambres, halls, salles de restaurant et bureaux, entre m\u00e9moire du XXe si\u00e8cle et collections contemporaines.<\/p>\n","protected":false},"author":18,"featured_media":130197,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[476],"tags":[],"class_list":["post-130326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inspire-me-fr"],"yoast_head":"\nDCW \u00e9ditions : Luminaires d\u2019Auteur pour l\u2019Hospitality - Mohd<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez comment les luminaires DCW \u00e9ditions fa\u00e7onnent h\u00f4tels, restaurants et espaces contract, entre ic\u00f4nes historiques et cr\u00e9ations contemporaines.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mohd.it\/fr\/magazine\/concevoir-la-lumiere-dans-lhospitality-dcw-editions-et-la-poetique-de-lespace\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DCW \u00e9ditions : Luminaires d\u2019Auteur pour l\u2019Hospitality - Mohd\" \/>\n<meta property=\"og:description\" content=\"D\u00e9couvrez comment les luminaires DCW \u00e9ditions fa\u00e7onnent h\u00f4tels, restaurants et espaces contract, entre ic\u00f4nes historiques et cr\u00e9ations contemporaines.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.mohd.it\/fr\/magazine\/concevoir-la-lumiere-dans-lhospitality-dcw-editions-et-la-poetique-de-lespace\/\" \/>\n<meta property=\"og:site_name\" content=\"Mohd\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/mollurahomedesign\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-11T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-11T08:00:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.mohd.it\/wp-content\/uploads\/2026\/09\/DCW-editions-Here-Comes-the-Sun.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"980\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Noemi Cris\u00e0\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@mohd_homedesign\" \/>\n<meta name=\"twitter:site\" content=\"@mohd_homedesign\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Noemi Cris\u00e0\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.mohd.it\/fr\/magazine\/concevoir-la-lumiere-dans-lhospitality-dcw-editions-et-la-poetique-de-lespace\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.mohd.it\/fr\/magazine\/concevoir-la-lumiere-dans-lhospitality-dcw-editions-et-la-poetique-de-lespace\/\"},\"author\":{\"name\":\"Noemi Cris\u00e0\",\"@id\":\"https:\/\/www.mohd.it\/fr\/#\/schema\/person\/d237bc94bea0bfe5020d1c41b41f6af2\"},\"headline\":\"Concevoir la lumi\u00e8re dans l\u2019hospitality : DCW \u00e9ditions et la po\u00e9tique de l\u2019espace\",\"datePublished\":\"2026-09-11T08:00:00+00:00\",\"dateModified\":\"2026-09-11T08:00:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.mohd.it\/fr\/magazine\/concevoir-la-lumiere-dans-lhospitality-dcw-editions-et-la-poetique-de-lespace\/\"},\"wordCount\":1058,\"publisher\":{\"@id\":\"https:\/\/www.mohd.it\/fr\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.mohd.it\/fr\/magazine\/concevoir-la-lumiere-dans-lhospitality-dcw-editions-et-la-poetique-de-lespace\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.mohd.it\/wp-content\/uploads\/2026\/09\/DCW-editions-Here-Comes-the-Sun.png\",\"articleSection\":[\"Inspire Me\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.mohd.it\/fr\/magazine\/concevoir-la-lumiere-dans-lhospitality-dcw-editions-et-la-poetique-de-lespace\/\",\"url\":\"https:\/\/www.mohd.it\/fr\/magazine\/concevoir-la-lumiere-dans-lhospitality-dcw-editions-et-la-poetique-de-lespace\/\",\"name\":\"DCW \u00e9ditions : Luminaires d\u2019Auteur pour l\u2019Hospitality - 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