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27 January 2021
A selection of designer mirrors with a sculptural, playful and decorative design. Reflective projects that increasingly becoming a creative surface.
Design mirrors are graphic projects that decorate the walls and impose themselves in the space as protagonists. In addition to its functional role, the mirror increasingly assumes a transformative effect. It floods dark corners with natural light, amplifies smaller spaces and above all adds texture thanks to its bold decorative role.
Broken, colored, deformed, decorated, here is a selection of mirrors between design and illusion.
Zieta‘s mirrors are three-dimensional sculptures made of mirror-polished stainless steel. Not only objects that reflect reality but that adorn the interiors by amplifying them optically, thanks to their production process of inflating the metal with air. Real sculptures and art objects.

A mirror that reveals its special touch is Cassina‘s Les Grands Trans-Parents, which confuses its reflection through the original pun printed on the glass. Created by the painter and photographer Man Ray, it can be considered the first example of a decorative mirror, in which the value of seeing oneself reflected prevails the suggestive one.

The Vitrail mirror by Magis is a triumph of sophisticated pastel shades that wink at fashion. Between broken and distorting surfaces remains color, a great element explored by design.

Gubi‘s timeless Adnet Circulaire mirror, designed in 1946 and featuring subtle equestrian-inspired details in leather and brass, adds sculptural value to any setting.

The Wow mirror by Mogg is inspired by the image of crumpled wrapping paper and the result is an object that is always different thanks to the frame in synthetic cellulose felt to be crumpled at will.

Modern and with a strong aesthetic impact, City Life by Riflessi is a prismatic mirror. A pentagonal mirror with a frame composed of inclined mirror surfaces with a strong personality.

The Spicchio mirror collection by Antoniolupi brings elegance and dynamism to the theatrical scene of the bathroom space. A pure, essential, rigorous geometry that multiplies the perspectives, expands the space, enhances the design choices and the hierarchical relationships between the volumes.

The Ultrafragola mirror-lamp by Poltronova, designed in 1970 by the great Ettore Sottsass Jr, is an icon and symbol of Radical Design. Designed for the Gray Furniture series, it has its sinuous and sensual shape which, evoking the wavy hair of a woman, lights up with pink neon.
